Tuesday, October 30, 2012
Monday, October 29, 2012
Influence 3: Toxic Analysis
For our textual analysis we are looking at the song 'Toxic' by Britney Spears.
Lyrics
Baby, can't you see
I'm calling
A guy like you
Should wear a warning
It's dangerous
I'm fallin'
There's no escape
I can't wait
I need a hit
Baby, give me it
You're dangerous
I'm lovin' it
Too high
Can't come down
Losing my head
Spinning 'round and 'round
Do you feel me now
With a taste of your lips
I'm on a ride
You're toxic
I'm slipping under
With a taste of poison paradise
I'm addicted to you
Don't you know that you're toxic
And I love what you do
Don't you know that you're toxic
It's getting late
To give you up
I took a sip
From my devil cup
Slowly
It's taking over me
Too high
Can't come down
It's in the air
And it's all around
Can you feel me now
With a taste of your lips
I'm on a ride
You're toxic
I'm slipping under
With a taste of poison paradise
I'm addicted to you
Don't you know that you're toxic
And I love what you do
Don't you know that you're toxic
Don't you know that you're toxic
Taste of my lips and having fun
With a taste of your lips
I'm on a ride
You're toxic
I'm slipping under
With a taste of poison paradise
I'm addicted to you
Don't you know that you're toxic
And I love what you do
Don't you know that you're toxic
With a taste of your lips
I'm on a ride
You're toxic
I'm slipping under
With a taste of poison paradise
I'm addicted to you
Don't you know that you're toxic
And I love what you do
Don't you know that you're toxic
I'm intoxicated now
I think you'll love it now
I think I'm ready now
I think I'm ready now
I'm intoxicated now
I think you'll love it now
I think I'm ready now
Mise en Scene
The song 'Toxic' comes under the genre of 'pop', this means that the target audience would be of a lower age group (13 - 17) specifically girls as the song would have a catchy rhythem and simple lyrics so the target audience would buy the song and if the video had a dance routine, the auidence would be able to learn the routine with the friends.
The first shot where mis en scene is used is the opening scne where a prop of a plane is shown to be flying, this is to introduce the first charater that Britney Spears portrays. She portrays a blonde air hostess and gives a differnet and galmerous feel to the music video.
Here the black leather gloves are stereotypically used for criminals to kill their victims. Britneys red headed charater shows her dangerous nature as the video progresses as shows danger and power. She uses her sexuality to seduce her victim then uses the prop of the toxic bottle to kill him.
Narative
The music video for the song 'Toxic' highlights Britney changing and growing into a woman and shows her interest's adapting and changing as time goes on. The video demonstrates her becoming different people, this could be her wanting to escape her Disney image and be seen as a mature woman. The video highlights the songs sexual refrences and highlights danger/drug taking which is different to any other music video/ song she has done before.
You first see Britney as an air hostess with a revealing, 'sexy' costume, which is not what a air hostess would typically wear. This demonstrates Britneys feelings towards her growing older and shows her becoming a sex symbol. When she walks down the isle of the plane you see her underwear at a glance which also add's to her maturing and becoming a woman. This also deomstrates her sexual desires and add's to her 'sex symbol' image. Despite the fact its subtle, this then force the audience into seeing her in a different way
In all of these photos, the audience will clearly see that Britney is playing women in different roles which all are powerful and use their sex to get what they want. The narrative for Toxic adheres very closely to Steve Archer’s definition of a music video. There are performance elements to the piece so that Britney can display her skills as a dancer (one of her main selling points) where as the main narrative of a female spy who will go to any lengths (using her sexuality for instance) to reach object of the quest marks Britney’s own desire to escape the confines of the music industry. This ‘dressing up’ element of the video is also shared by her target audience who after four years of watching Britney grow older and more mature are eager to do the same. The close up and lip syncing of the main star is also the main performance of the video as well; again very common in pop videos as well as rock videos as well.
Camera Shots
Britney is the focus of the music video. Through close ups and mid shots the camera is always centred on the star attraction of the show. Any long shots that are used are usually shown to illustrate some kind of triumph for the star (the pleasure she gets from riding the motor cycle) or to show off her body (the midriff of the superhero at the end, the shortness of the air hostess outfit.) Long shots are also used to show her dancing skills. Any other performers in the video (the other air hostesses for example) are kept to a minimum and in the background, so the viewer can clearly see the ‘product’ that is being displayed (Britney Spears).
Here we have an establishing shot, this shows the audience that Britney is on a plane and also gives the auidence some sort of idea of what Britney's first charater will be. The music video has mixes of reality and fantasy and this is shown in this shot as the plane isnt a typical plane seen in day to day life.
Here is a med-length shot that shows Britney on the phone dressed as a air hostess which is the first character that the audience will see and also the last. The med-length shot helps the audience realise who the character is and what she is portraying.
Here is a med shot of a character that also is playing a air hostess like Britney, also they are almost dancing whilst attending to the people who are on the plane. These characters only have a small part within the music video as the most part of the video is focused on Britney and the storyline which these characters help to illustrate by also heightening the voyrism in the music video.
Here is an extreme close up of Britney's face which shows how she has her make-up and also the look that she has in her eye which is important for the following scene when she sets her eyes on the man that has the key to the volt. This shot also helps the audience identify that the main character is Britney and keeps the focus on her, this also establishes the mood and theme of the music video and helps the audience understand the rest of the storyline.
Here there is a two shot of Britney and the man that she is seducing to get the key to the volt. This scene is electrified with sexual movements and actions which keeps the theme of sex and the male audience interested.
Here is a long shot of Britney which shows what she is wearing and a character change. Also it shows the Eiffel Tower in the background which is a establishing shot because the Eiffel Tower is a famous land mark in Paris. This shows the viewer that she is now a different women and shows the look that she is going for within this particular scene. The colours used for Britneys charater and the setting she is in is prodominatntly reds and blacks. Being in Paris it is known as 'The City of Love' and the colours used also highlight the emotions love but also danger and darkness. This shoes that Britneys new charater involves love and danger combined.
Editing
Editing mirrors the fast beat of the song so that the style is rapid and consistent. Most music videos that are pop in the variety employ this technique and Toxic is very conventional in this manner. For an interesting comparison view the video for ‘Everytime’ which is a lot different because of the nature of the speed of the song. The editing is in sync with the song lyrics, for example the first lyric is "baby can't you see I'm calling" and she is on the telephone whilst she is singing this lyric and is used to generally make the lyrics and music video correlate.
Here we have an establishing shot, this shows the audience that Britney is on a plane and also gives the auidence some sort of idea of what Britney's first charater will be. The music video has mixes of reality and fantasy and this is shown in this shot as the plane isnt a typical plane seen in day to day life.
Here is a med-length shot that shows Britney on the phone dressed as a air hostess which is the first character that the audience will see and also the last. The med-length shot helps the audience realise who the character is and what she is portraying.
Here is a med shot of a character that also is playing a air hostess like Britney, also they are almost dancing whilst attending to the people who are on the plane. These characters only have a small part within the music video as the most part of the video is focused on Britney and the storyline which these characters help to illustrate by also heightening the voyrism in the music video.
Here is an extreme close up of Britney's face which shows how she has her make-up and also the look that she has in her eye which is important for the following scene when she sets her eyes on the man that has the key to the volt. This shot also helps the audience identify that the main character is Britney and keeps the focus on her, this also establishes the mood and theme of the music video and helps the audience understand the rest of the storyline.
Here there is a two shot of Britney and the man that she is seducing to get the key to the volt. This scene is electrified with sexual movements and actions which keeps the theme of sex and the male audience interested.
Here is a long shot of Britney which shows what she is wearing and a character change. Also it shows the Eiffel Tower in the background which is a establishing shot because the Eiffel Tower is a famous land mark in Paris. This shows the viewer that she is now a different women and shows the look that she is going for within this particular scene. The colours used for Britneys charater and the setting she is in is prodominatntly reds and blacks. Being in Paris it is known as 'The City of Love' and the colours used also highlight the emotions love but also danger and darkness. This shoes that Britneys new charater involves love and danger combined.
Editing
Editing mirrors the fast beat of the song so that the style is rapid and consistent. Most music videos that are pop in the variety employ this technique and Toxic is very conventional in this manner. For an interesting comparison view the video for ‘Everytime’ which is a lot different because of the nature of the speed of the song. The editing is in sync with the song lyrics, for example the first lyric is "baby can't you see I'm calling" and she is on the telephone whilst she is singing this lyric and is used to generally make the lyrics and music video correlate.
Saturday, October 27, 2012
Music Video Analysis - Influence 2: 212
To introduce us to the song 212 we are welcomed with a mid shot of the artist (Azealia banks). The composition consists of Azealia located in the centre of the frame surrounded by a brick wall. This creates a dominant feel and links to her role within the music industry. Shot in a basic black and white effect, gives us the impression of a dull theme… however, the upbeat tempo of the song and the editing automatically creates an energetic vibe to the video. Shortly followed after we are supplied with a low angle shot of a traffic light that you would typically find within America. This object gives us a sense of a built up area within a urban location. It too also resembles a dominant feel as traffic lights have control over traffic. This could resemble Azealia Banks having control within the video. This fits in perfectly with the rap element of the song. Fading back to a mid shot featuring the wall, we are welcomed with another actor. He of whom is male. Remaining in the mid shot the man faces and stares directly at the camera whereas Azealia faces sideways whilst singing to him. We assume Azealia has power over this man, as it seems he is not permitted to sing/speak. Both dressed predominantly in basic urban clothes we once again are placing the costumes closely with genre. Switching to a different location we are shown a long shot of an isle within a low budget supermarket. The tight isles create a claustrophobic feel but as the camera tracks down, it creates the sense of a journey not knowing what’s at the end. Next a close up shot of Azalea’s mouth becomes predominant. The close up express the importance, in this case her meaningful lyrics. It also creates voyeurism as the mouth can be classed as part of an intimate feature of a woman. We automatically believe this is to appeal to the male audience, as they would be sexually attracted to this. Referring back to different locations, the next scene once again portrays urban scenery. This of which consists of cars parked outside an American housing estate. As the camera tilts up, we are focused upon a door leading to a house. This may have some significance to the video but is not yet recognisable to the viewer at such an early stage. Switching back and forth to the close up shots of lip-syncing we are visually welcomed with the lyrics typed upon the screen. Creating a strobe like effect the fast editing switches rapidly from the lyrics to the close up of the lips. The switching is edited to perfectly fit to the up beat tempo beat. Majority of the video is shot in front of the wall. The simplicity of the wall allows the artists/actors to stand out and promote their image to the public. Throughout the course of the video we are shown a magnitude of dance moves. As the song gradually picks up pace so does the dancing. This helps to build up the song to the climax (drop) and keeps the audience interested. To the end of the video we are once again shown establishing shots of urban scenery. Once again tying in the genre with the location. Most of these shots are blurred out to follow onto the next scene, one of which is the last. This displays Azealia in a mid shot whilst the camera zooms in and out.
Friday, October 26, 2012
Thursday, October 25, 2012
Wednesday, October 24, 2012
Tuesday, October 23, 2012
Monday, October 22, 2012
Focus Group Feedback Word Cloud
Voyeurism
When creating our music video we thought about including voyeurism. Voyeurism is the act of watching someone who is performing sexual behaviours, such as dancing, in order to gain pleasure. Therefore, in music videos women can be used as sexual objects in order to obtain a male audience; or example having women wear little clothing.
Upbeat
When editing our music video we will have to make sure each bit of footage is as upbeat as the song. Because the song has such a fast tempo, we decided that when we edit we want to include a variety of shots and clips in our video. However, this will be difficult to make sure each transition is in time with the song.
Outfits
We decided that we want to use numerous outfits throughout our music video. This is to make our music video visually interesting with vibrant colours and to display different aspects of Iggy's personality.
Scenes
We want to make sure we use a range of different scenes and settings in our music video. This will allow us to be imaginative with different locations, creating an urban image. Some ideas we already have are graffiti walls, woods, skate parks.
Sunday, October 21, 2012
Saturday, October 20, 2012
Thursday, October 18, 2012
Monday, October 15, 2012
Saturday, October 13, 2012
Thursday, October 11, 2012
Wednesday, October 10, 2012
Tuesday, October 9, 2012
Targeting an Audience
Our target audience is for both men and women of the ages from 15-30 so we have to find a way to promote our music video whilst taking different factors into consideration as there are different levels of how many people you target. Due to our target audience being considered a 'young' audience we have decided to use social networking sites such as Twitter and Facebook to promote our video and target the age group needed.
We will also be creating a Digipack and the TV network channel Viva will also be featuring our music video. Famous artists such as Lady Gaga have done this to promote their song/music video and have created a Digipak which fits in with their album and correlates with their merchandise.


BARB discover the number of ratings for each Channel on TV. This then helps media companies determine what channel they should broadcast/narrowcast their music video's on.
The Radio Joint Audience Research Limited (RAJAR) is used by media companies for radio and newspaper ratings. They use this to determine what sort of audience they should be marketing their radio/newspapers to.
The Audit Bureau of Circulations (ABC) is also another source that media companies usually use to discover their target audience. This is another company that focus' itself around newspapers.
The National Readership Survey (NRS) is another source that media companies commonly use to discover what sort of audience they should be targeting. It is mainly used for radio ratings but as shown in the blog post about the Social Grade Scale it's very useful for TV as well.
The Radio Joint Audience Research Limited (RAJAR) is used by media companies for radio and newspaper ratings. They use this to determine what sort of audience they should be marketing their radio/newspapers to.
The Audit Bureau of Circulations (ABC) is also another source that media companies usually use to discover their target audience. This is another company that focus' itself around newspapers.
Sunday, October 7, 2012
Saturday, October 6, 2012
Friday, October 5, 2012
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